I had many scissors left over from my acquisition of relinquished scissors from the New Zealand Aviation Security Service for my Rock, Paper, Scissors sculptures and so I was experimenting with shapes I could form with scissors and stumbled upon an avian shape.
With many forgetful passengers relinquishing scissors and other hazardous items at airport security gates, creating sculptures that reminded people to be careful when flying seemed obvious. Four harmonious pairs of scissors are wired together for each sculpture.
Due to size, comfort and safety issues, it is not recommended to fly with scissors. With their aerodynamics, they would most likely fly like sheep and rather plummet. If the scissors could fly, I imagine they would soar similar to this video:
Like most of my work, Don’t Run With Scissors is a visual pun and pokes fun at both the art world and luxury sneaker consumers with a single impractical but wearable shoe sculpture made from scissors.
I had acquired a large number of relinquished scissors from the New Zealand Aviation Security Service for my Rock, Paper, Scissors sculptures. With the remaining scissors I started to create some other sculptures, the most obvious ones being the aircraft/bird shaped Don’t Fly With Scissors. While constructing these, my thoughts progressed to the childhood warning “Don’t Run With Scissors” and thus formed the idea of creating an impractical running shoe made with scissors.
Creating the shoe
Using my own foot as a model for the proportions, I wired together scissors to get the basic shape and then at the Ashburton MenzShed, I bent and welded the scissors into place. I then used waxed thread and the plastic handles of a pair of scissors to form the laces. After this I created a tongue/upper of the shoe from layers of paper which I glued and then hand stitched a waxed thread edging. I hand embroidered the logo onto more layered paper and attached this to the shoe. I wrapped thread around any wires connecting the scissors to hide them and make the shoe slightly more comfortable.
Creating the branding and shoebox
I checked the translation of scissors in as many languages as I could and the Hungarian word for scissors, olló, was the word that I thought most resembled a pair of scissors and had the potential for a shoe brand.
Using papier-mâché I recycled and exaggerated a shoebox to fit the shoe and serve as a plinth for the sculpture. Acrylic paint and inkjet prints of the logos and labels give the box the look of an authentic product. The QR code on the price label can be decoded to a link to this article about the sculpture on the artist’s website. The pricing is that of the sculpture and is deliberately ridiculous in fitting with the range of luxury sneakers – shoes that are ridiculously expensive and designed to look like running shoes, but not intended for running in.
Wearing the shoe
The shoe is a tight fit for my left foot and so the sizing is equivalent to 46 EU / 12 UK / 13 US / 29.5 CM. During the sculpting of the shoe, it has also fitted my right foot but is currently too difficult to put on. Walking with the shoe is possible, but slightly uncomfortable. It has the feeling of a heavy boot. Running while wearing the shoe has not been attempted and is not recommended as it may damage the shoe or the surroundings.
Exhibiting the shoe
This sculpture has been entered into the Ashburton Society of the Arts 2021 Annual Exhibition at the Ashburton Art Gallery. The exhibition runs from the opening on Monday 5 July 2021 to Friday 30 July 2021.
What do you do when someone gives you knitting needles? You knit with them. So I started knitting them into a sculpture.
The knitting needles were a mix of individual plastic and metal needles with different colors and sizes. The metal needles were quite pliable and relatively easy to knit with.
Some of the plastic knitting needles were brittle and so they snapped into multiple pieces and flew around the room when I tried to knit them and so I have threaded them into the weave. Softening the rest of the plastic and metal knitting needles in boiling water helped for coiling them into a ball.
I recently shredded years of old bank statements and recycled some of them into these statements of the different hands in economics, trade and giving.
Open handed (right)
Using an outline of my right hand traced onto cardboard, I built up the sculpture, gluing individual strips of shredded bank statements. The right hand is light weight, but firm.
Depending on your politics, you might see those on the political right as tight fisted and money grabbing, but instead I have portrayed the right as open handed, giving and receiving, serving each other. Not a hand out begging, but lending a hand to mutually help each other.
Tight fisted (left)
I pasted individual strips of shredded bank statements on my closed left fist and then carefully removed the sculpture and filled the hollow fist with more shredded bank statements before applying further strips to the outside. The left hand is heavier but softer than the right.
Again, depending on your politics, you might see those on the political left with an open hand sharing the wealth and giving to those in need. Instead I have portrayed the left as a fist, raised in angry defiance. Grabbing for money and power at the expense of others.
The invisible hand
Between the two hand sculptures is an invisible hand. In economics, the invisible hand is a metaphor for unseen forces that move the free market economy. We cannot see what the invisible hand is doing. Perhaps it is open handed, perhaps a closed fist, perhaps something in between giving a rude gesture.
The Bible has a lot to say about money. This verse is apt.
‘But when you give to someone in need, don’t let your left hand know what your right hand is doing. ‘
This visual pun came to mind as I was contemplating what to do with my collection of corks.
Cork is difficult to carve, creating chunky shavings and so it is a delicate and time consuming process. I attempted to carve one cork which claimed to be recyclable and seemed to be made from a kind of rubberized paper material. It was very difficult to effectively work with and so if you want to carve your own cork screws, stick to the natural corks.