Non-flat Earth, papier-mâché, approx 50 x 50 x 50 cm
Myths and legends tell the story of a flat earth traveling through the heavens supported on the backs of elephants and a turtle. Same here, but with a roundish earth.
There are some conspiracy theories floating around suggesting that the Earth is flat. I have traveled around the world and observed that it is in fact round. Well, roundish.
Hindu mythology has the earth supported by elephants or a tortoise/turtle or both or a snake. North America has a legend of a ‘Great Turtle’, which upholds the Earth.
Combining the facts with the legends, I have recreated this model of the Earth. A Non-flat Earth is based on Non-flat Earth Unpainted, but with a hand made globe, in a different medium – papier-mâché, and painted this time.
The book of Job in the Bible says the Earth is suspended over nothing.
He spreads out the northern skies over empty space; he suspends the earth over nothing.
Job 26:7. NIV
While this lines up with the science, my globe has to rely on the backs of elephants and a turtle for support.
Non-flat Earth was entered in the Ashburton Society of Arts 58th Annual Exhibition and could be viewed (and purchased $900) at the Ashburton Art Gallery from 5-29 July 2022.
Stamp, woodcut block print, 297 x 420 mm (A3), framed
Inspired by a postage stamp found in a pencil box purchased from a second hand store, Stamp is one of my first successes in wood block printing. The wading bird seemed out of place on the stamp so my print has it standing in and on an imagined environment.
The signature follows the theme and is stamped from a set of alphabet stamps also acquired from a second hand store.
I enjoy the challenge of working reflectively and inversely to produce an the printed image.
Stamp (detail)
Stamp was entered in the Ashburton Society of Arts 58th Annual Exhibition and could be viewed (and purchased $190) at the Ashburton Art Gallery from 5-29 July 2022.
Small Worlds, Acrylic, aluminum foil, wood, air dried clay on reconstructed canvases, 13x13cm
Small World North
Small World North, Acrylic, aluminum foil, wood, air dried clay on reconstructed canvas, 13x13cm
Small World South
Small World South, Acrylic, aluminum foil, wood, air dried clay on reconstructed canvas, 13x13cm
Small World Stewart
Small World Stewart, Acrylic, aluminum foil, wood, air dried clay on reconstructed canvas, 13x13cm
With the recent pandemic and lockdowns travel globally has been limited. This has been hard on Kiwis who love to travel the globe and occasionally bump someone they know from home. They establish their common connections and exclaim “Small World!”.
And also during some of the travels of my life, I have met people who have not travelled very far from where they were born. Sometimes you hear of people who have spent their entire lives living and working on a bridge in a European or Asian city, or had never left the small village they were born in. Their worldview is often small.
These globes are for the travel-challenged.
Small World North, Small World South and Small World Stewart were entered in the Ashburton Society of Arts 58th Annual Exhibition and could be viewed (and purchased) at the Ashburton Art Gallery from 5-29 July 2022.
When I was a child, our grandparents would travel eight hours to visit us at Christmas time. Nana was a caterer and she would bring a load of sweet treats like her peanut brownies and melting moments so soft they would melt in your mouth. Poppa was a real life Santa Claus – him and Nana would often give presents to Birthright kids. So when we heard they were coming for Christmas we got super excited. Mum tried to get us to clean the house, but we would spend more time looking out the window and trying to be the first kid to see them coming down the road.
I have often thought that God is like that with us. Jesus told the parable of the lost (prodigal) son, which is really about a forgiving father. In Middle Eastern culture it is undignified to run, especially to greet someone who has dishonored the family, yet this father runs to meet his lost son.
Advent song, 5 min live video recording, Sunday 19 December 2021
Perhaps you are like Sarah who laughed in disbelief when she got the promise of a son in her old age, or like Hannah fervently waiting for a child. Maybe you are like Anna and Simeon waiting to see the promised Messiah. Or Mary or Martha. The lyrics are deliberately ambiguous as to who is singing to who – perhaps God is waiting at the window for you to return to him or to meet with him again. Perhaps he is like the grandparents coming with presents and good things to meet with you.
Chords/Lyrics:
G D Em C
Verse 1
When I heard you were coming I could hardly believe it I was so excited I had trouble sleeping
The house was a mess Floor needed sweeping But my nose was at the window Looking for you
Verse 2
You were bearing gifts But the treasure I was seeking The greatest gift of all To be in your Presence
The news of your advent Had me joyful weeping Overwhelming hope of spending Time with you
With the plethora of conspiracy theories floating around, perhaps you need a tinfoil hat to prevent mind control by governments, spies, or paranormal beings that employ ESP or the microwave auditory effect. While these hats might or might not offer this kind of protection, they at least are more fashionable than the proverbial tin foil hat which resembles a dunce cap.
9 Tinfoil Hats, Aluminium foil, 70 x 90 x 20 mm – 110 x 120 x 80 mm
I tested the hats ability to block electromagnetic signals to my phone but they failed, mainly because the phone was larger than the hats, but it is likely that the thickness of the aluminium was not sufficient.
Egg Faced, video (lyrics, chords and music) 2:22Egg faced single cover, digital image
Over the last few weeks, I have written and refined this comical song where the chords spell out the major lyrics. Or perhaps, the major lyrics tell you which chords to play. The above video is an early demo version of the song with the chords and lyrics.
I have written several other songs and instrumental pieces and I hope that these will eventually be recorded and published.
I had many scissors left over from my acquisition of relinquished scissors from the New Zealand Aviation Security Service for my Rock, Paper, Scissors sculptures and so I was experimenting with shapes I could form with scissors and stumbled upon an avian shape.
With many forgetful passengers relinquishing scissors and other hazardous items at airport security gates, creating sculptures that reminded people to be careful when flying seemed obvious. Four harmonious pairs of scissors are wired together for each sculpture.
Don’t Fly With Scissors #1, Red and black scissors/wire, 27 x 33 x 7 cmDon’t Fly With Scissors #2, Blue, red and black scissors/wire, 30 x 30 x 6 cm
Due to size, comfort and safety issues, it is not recommended to fly with scissors. With their aerodynamics, they would most likely fly like sheep and rather plummet. If the scissors could fly, I imagine they would soar similar to this video:
Don’t Fly With Scissors Flying, video 1:48 (no audio)
Like most of my work, Don’t Run With Scissors is a visual pun and pokes fun at both the art world and luxury sneaker consumers with a single impractical but wearable shoe sculpture made from scissors.
I had acquired a large number of relinquished scissors from the New Zealand Aviation Security Service for my Rock, Paper, Scissors sculptures. With the remaining scissors I started to create some other sculptures, the most obvious ones being the aircraft/bird shaped Don’t Fly With Scissors. While constructing these, my thoughts progressed to the childhood warning “Don’t Run With Scissors” and thus formed the idea of creating an impractical running shoe made with scissors.
Don’t Run With Scissors, scissors/paper/thread sculpture approx 22 x 33 x 25 cm
Various angles of the Don’t Run With Scissors shoe and shoebox
Creating the shoe
Using my own foot as a model for the proportions, I wired together scissors to get the basic shape and then at the Ashburton MenzShed, I bent and welded the scissors into place. I then used waxed thread and the plastic handles of a pair of scissors to form the laces. After this I created a tongue/upper of the shoe from layers of paper which I glued and then hand stitched a waxed thread edging. I hand embroidered the logo onto more layered paper and attached this to the shoe. I wrapped thread around any wires connecting the scissors to hide them and make the shoe slightly more comfortable.
Creating the branding and shoebox
I checked the translation of scissors in as many languages as I could and the Hungarian word for scissors, olló, was the word that I thought most resembled a pair of scissors and had the potential for a shoe brand.
Don’t Run With Scissors shoebox lid, paper/inkjet print/acrylic paint, approx 22 x 33 x 3 cm
Side and end views of the Don’t Run With Scissors shoebox
Using papier-mâché I recycled and exaggerated a shoebox to fit the shoe and serve as a plinth for the sculpture. Acrylic paint and inkjet prints of the logos and labels give the box the look of an authentic product. The QR code on the price label can be decoded to a link to this article about the sculpture on the artist’s website. The pricing is that of the sculpture and is deliberately ridiculous in fitting with the range of luxury sneakers – shoes that are ridiculously expensive and designed to look like running shoes, but not intended for running in.
Unboxing Don’t Run With Scissors
Wearing the shoe
The shoe is a tight fit for my left foot and so the sizing is equivalent to 46 EU / 12 UK / 13 US / 29.5 CM. During the sculpting of the shoe, it has also fitted my right foot but is currently too difficult to put on. Walking with the shoe is possible, but slightly uncomfortable. It has the feeling of a heavy boot. Running while wearing the shoe has not been attempted and is not recommended as it may damage the shoe or the surroundings.
Wearing the Don’t Run With Scissors sculpture
Exhibiting the shoe
This sculpture has been entered into the Ashburton Society of the Arts 2021 Annual Exhibition at the Ashburton Art Gallery. The exhibition runs from the opening on Monday 5 July 2021 to Friday 30 July 2021.
I was recently on stage again in Variety Theatre Ashburton’s Its Only Rock ‘n’ Roll Baby. Featuring over 30 songs, the show had the tagline “The Songs we Sing to, Dance to, Laugh to and Cry to” and it did that with songs grouped into brackets such as The Flirtys, Country Classics, One Hit Wonders, Love Hurts Sometimes, Kiwi Classics and Inspirational. A bracket of songs on domestic violence titled “It’s Not OK EVER” was emotionally powerful and to lighten the mood it followed with the audience singing along to Sweet Caroline and Delilah. I played the role of a reluctant volunteer beside an overly enthusiastic volunteer with cue cards for the songs.
It’s Only Rock ‘n’ Roll Baby Programme
In the Dungeon (dressing room). Photo by Ashburton Online.
And then I kissed her. Photo by Ashburton Online.
Trouble. Photo by Ashburton Online.
Time Warp. Photo by Ashburton Online.
Pretty Girl. Photo by Ashburton Online.
Don’t mess around with Jim. Photo by Ashburton Online.
Don’t mess around with Kim. Photo by Ashburton Online.
Ashburton Online has more photos of the show on Flickr.
Roles
As you can see from the above photos, I played a variety of mostly comedic roles – Loser Sidekick, Disinterested Cue Card Holder, Tough Guy, Zombie, Pretty Girl, Jim and a Balloon Boy in the Just One More bracket. There were several quick costume changes as well as makeup for some complete transformations. Curling my hair took ages was worth it for the laughs when I turned around in Pretty Girl.
Reviews
The show was enjoyed by all those I talked to and local media published some reviews.
30 Year Hiatus
It has been about 30 years since I last performed on stage, so it was great to get back into singing, dancing and acting. As a child I was incredibly shy, but since being involved in theatre I have overcome the fear of performing in public and during this show I was never nervous. I am keen to join the next production – auditions are being held soon for JC Superstar.
Coincidentally just after opening night, a video of the show that first got me started in theatre was shared on YouTube [warning: 2.5 hours of low quality audio and video]. I never saw Woodville Little Theatre’s show Brylcreem live in 1986, but rumour about the show and after-party motivated me to want to join the back stage crew for their next production. With this in mind I went along to rehearsals of Streetcats in 1988 intending to be in the background but I got cast in the show and made my debut on stage.
One of the ladies at the Ashburton Society of the Arts Monday Art and Craft group gave me some unwanted knitting needles for recycling.
What do you do when someone gives you knitting needles? You knit with them. So I started knitting them into a sculpture.
Knitting Needles, metal and plastic knitting needles, 36x10x22 cm
The knitting needles were a mix of individual plastic and metal needles with different colors and sizes. The metal needles were quite pliable and relatively easy to knit with.
Knitting Needles (rear view), metal and plastic knitting needles, 36x10x22 cm
Some of the plastic knitting needles were brittle and so they snapped into multiple pieces and flew around the room when I tried to knit them and so I have threaded them into the weave. Softening the rest of the plastic and metal knitting needles in boiling water helped for coiling them into a ball.
